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The classical guitar has the amazing ability to produce expressive melodies, complex chords, flowing arpeggios, and multiple, independent parts simultaneously - all with just six strings. It offers an incredible range of tonal possibilities as well, and it's able to create a broad range of colors and textures, from driving percussive rhythms to sweetly lyrical melodies - and everything in between. 此部分共[9]页：  1>>  2>>  3>>  4>>  5>>  6>>  7>>  8>>  9>> 〖 Classical.Guitar.Dummies by Michael Pilhofer and Holly Day (古典吉他入门)〗　 　　Part III: Improving Your Technique 　　　　Chapter 8: Flat-Fingered Fretting with Barres 　　　　　　Discovering How to Play Barres 　　　　　　Practicing Barres in a Musical Context 　　　　　　Playing Pieces with Barres 　　　　Chapter 9: Getting a Smooth Sound with Slurs and Trills 　　　　　　Connecting Your Notes with Slurs 　　　　　　Fluttering a Note with a Trill 　　　　　　Playing Pieces Using Slurs and Trills 　　　　Chapter 10: Coloring Your Sound with Tone-Production Techniques 　　　　　　Creating Tones That Ring like Bells: Harmonics 　　　　　　Varying the Tone with Vibrato 　　　　　　Brightening or Darkening Your Sound by Changing Timbre 　　　　　　Tremolo: The Classical Guitar Machine Gun of Sorts 　　　　　　Playing Pieces Using Tone-Production Techniques 　　　　Chapter 11: Scaling the Musical Ladder beyond Second Position 　　　　　　An Introduction to the Scales and Skills in This Chapter 　　　　　　Scales That Stay in 5th Position 　　　　　　Scales That Stay in 9th Position 　　　　　　Scales That Require Shifting Positions 　　　　　　Playing Some Pieces Using Scales up the Neck 　　　　Chapter 12: Combining Arpeggios and Melody 　　　　　　Grasping the Combination in Context 　　　　　　Going Downtown: Melody in the Bass 　　　　　　Moving Uptown: Melody in the Treble 　　　　　　Mixing Up Your Melodic Moves: The Thumb and Fingers Take Turns 　　　　　　Playing Pieces That Combine Arpeggios and Melodies 　　　　Chapter 13: Combining Left-Hand Techniques While Playing up the Neck 　　　　　　Layering Melodies and Using Barres up the Neck: Counterpoint 　　　　　　Combining Melody and Accompaniment with Barres and Slurs up the Neck 　　　　　　Playing Pieces up the Neck with Left-Hand Techniques 　　Part IV: Mastering Classical Guitar Repertoire 　　　　Chapter 14: Playing Pieces by the Guitar Greats 　　　　　　Getting Acquainted with the Master Guitar Composers 　　　　　　Music by the Spanish Composers 　　　　　　Music by the Italian Composers 　　　　　　Playing Pieces by All the Master Guitar Composers 　　　　Chapter 15: Early Guitar Music from the Renaissance and Baroque Eras 　　　　　　An Overview of the Styles 　　　　　　Renaissance Composers 　　　　　　Baroque Composers 　　　　　　Playing Pieces from the Renaissance and Baroque Eras 　　　　Chapter 16: The Guitar Comes of Age: The Classical, Romantic, and Modern Eras 　　　　　　The Classical Era: Mozart’s Muse 　　　　　　Getting in Touch with Beethoven, the Classical Hopeless Romantic 　　　　　　Letting the Inside Out with the Romantics: Brahms 　　　　　　Dreaming with Debussy: Music Becomes Modern 　　　　　　Playing Pieces from the Classical, Romantic, and Modern Eras 此部分共[9]页：  1>>  2>>  3>>  4>>  5>>  6>>  7>>  8>>  9>> 〖 Classical.Guitar.Dummies by Michael Pilhofer and Holly Day (古典吉他入门)〗

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