‐卦指遍匈/沫哈匈/

   The classical guitar has the amazing ability to produce expressive melodies, complex chords, flowing arpeggios, and multiple, independent parts simultaneously - all with just six strings. It offers an incredible range of tonal possibilities as well, and it's able to create a broad range of colors and textures, from driving percussive rhythms to sweetly lyrical melodies - and everything in between.

緩何蛍慌[9]匈��  1>>  2>>  3>>  4>>  5>>  6>>  7>>  8>>  9>>
ー Classical.Guitar.Dummies by Michael Pilhofer and Holly Day (硬灸耳麿秘壇)―
  撃中
  About the Authors
  Dedication
  Authors¨ Acknowledgments
  Contents at a Glance
  Table of Contents
  Introduction
  Part I: Getting to Know the Classical Guitar
    Chapter 1: An Acoustic Guitar in a League of Its Own
      Classical Guitar: One Term, Two Meanings, and a Bit of History
      What a Classical Guitar Looks Like
      How a Classical Guitar Is Physically Different from Its Peers
      Beyond Physique: Other Unique Attributes of Classical Guitar
    Chapter 2: Getting Ready to Play
      Situating Yourself
      Approaching the Strings with Your Hands
      Tuning Up
    Chapter 3: Deciphering Music Notation and Tablature
      Knowing the Ropes of Standard Music Notation
      Relating the Notes on the Staff to the Fretboard
      Relishing the Usefulness of Guitar-Specific Notation
  Part II: Starting to Play: The Basics
    Chapter 4: One Note at a Time: Playing Simple Melodies
      Practicing Notes on One String
      Playing across Three Strings
      Cruising through All Six Strings
      Flowing through Melodic Pieces Using All Six Strings
    Chapter 5: Rolling the Notes of a Chord: Arpeggio Technique
      Playing the Notes of an Arpeggio: The Basics
      Working Your Way across the Strings: The Thumb and Fingers in Order
      Varying Your Right-Hand Strokes
      Adding Harmony to Select Notes
      Playing Pieces with Arpeggios
    Chapter 6: Practicing Scales in First and Second Position
      Introducing Scales, the Necessary Evils
      Playing Major Scales in 1st Position
      Playing Minor Scales in 1st Position
      Playing Scales in 2nd Position
      Applying Scales in Simple Pieces
    Chapter 7: Exploring Musical Textures
      Coordinating Contrapuntal Music: Layered Melodies
      Melody and Accompaniment: Using All Your Fingers
      Playing Easy Pieces in Different Textural Styles
緩何蛍慌[9]匈��  1>>  2>>  3>>  4>>  5>>  6>>  7>>  8>>  9>>
ー Classical.Guitar.Dummies by Michael Pilhofer and Holly Day (硬灸耳麿秘壇)― 


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