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| ‐卦指遍匈/沫哈匈/ |
Although learning any musical instrument is not easy, the classic guitar seems to be especially challenging- Because it offers so many possibilities for mistaken approaches, the guitar often proves confusing to students in both technique and musical development what initially appears easiest and most natural often turns out to be incorrect. 緩何蛍慌[3]匈�� 1>> 2>> 3>> ーAaron Shearer -- Learning the Classic Guitar Part II��僥楼處怙硬灸耳麿��― Beginning Arpeggio sympathetic Movement Single-Beat Measures of Three Counts Further Training of a finger Right-Hand Finger Alternation The Sixteenth Value B(Ti) and C(Do) on the 5th String Arpeggios Requiring Further Alternation F(Fa) and G(So) on 6th String Quintuple Meter Alternation on a Single String String Crossing Compound Meters Playing Scales Rest-Stroke Alternation Playing Chords with P and the Fingers Sounding Two Notes Together with P and One Finger Free-Stroke The Complete Open-Position G-Major Scale Form Further Development of Chords and Arpeggios Hemiola Mixed Meter Chords of Four Notes Triplets Technical Slurs The Complete Open-Position D-Major Scale Form The Complete Open-Position Chromatic Scale The Complete Open-Position A-Major Scale Form The Complete Open-Position E-Major Scale Form String Damping Right-Hand Damping Left-Hand Damping Solfege The Fixed-Do Chromatic Syllable System Summary Memorizing Music Eliminating Confusion and Error Selecting Music for Study The Four-Step Memorization Procedure Step One: Pre-Reading without the Guitar Step Two: Reading and Playing on the Guitar Step Three: Testing Your Memorization Step Four: Confiming Your Memorization Summary 緩何蛍慌[3]匈�� 1>> 2>> 3>> ーAaron Shearer -- Learning the Classic Guitar Part II��僥楼處怙硬灸耳麿��― |
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