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  The significance of the works of Mangore centers in their definition of a newer, more complex level of technique, influenced by but evolving independently from European models
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〖The Guitar Works of Agustin Barrios Mangore(巴雷奥斯作品集) -Vol.1〗  
Preface
  This collection is the first comprehensive publication of the entire works of Agustin Barrios Mangore, first guitarist/composer from the New World of truly universal importance. The significance of the works of Mangore centers in their definition of a newer, more complex level of technique, influenced by but evolving independently from European models. The maturation of the guitarristic art as it is practiced in the countries of Iberoamerica has flowered in the genius of Barrios Mangore.
  This edition is not analytical nor comparative in its scope; it is designed for the performer student and teacher. All accidentals are given as found in the original manuscripts. In very little of the music collected were there any fingerings given. Only after a thorough study of his works can one attempt to discern the most idiomatic solution consistent with Barrios style and technique. For example, a salient feature of the way in which Mangore used his left hand is its "stretched-out" aspect - in many pieces (such as Estudio para Ambas Manos, Estudio del Ligado, or Choro da Saudade to name a few) there are long, sustained reaches which can only be played in the way indicated to achieve the desired results.
  In addition to written manuscripts, he also left a legacy of recordings, all made principally on the Argentine Odeon label, circa 1915-30. When applicable, the recorded version of a piece has been taken as the preferred and final form, and many of the pieces are here presented for the first time in this corrected form corresponding exactly to what Mangore played on his records.
  Many pieces carried dates and dedications, and when justified all dedications have been translated from the original Spanish.  
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〖The Guitar Works of Agustin Barrios Mangore(巴雷奥斯作品集) -Vol.1〗


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