‐卦指遍匈/沫哈匈/

  Keep in mind that, as you continue to learn and improve, your understanding of all the material in this volume will change. What seems complicated at first gradually becomes easier and clearer. What seems "far-out" gradually becomes "nothing special". What you acquire as "skillful means" gradually becomes like "legs on a snake". Eventually (and to whatever extent you are capable of it), you become free of all this "material". You see that the problems that you have in music (and on the guitar) are clearly reflected in the problems that you have in life (and as a person).
  It all becomes the same thing, You Play, You Live, You Eenter:
  The Pathless Land, Leaving no traces, no footprints.
  For Long Years a bird in cage, today, flying along with the clouds.
  --The Zenrin
  
  Finally, and at long last, I have nothing more to say about this subject, whatever it was...

ー Mick Goodrick - The Advancing Guitarist―
  Contents 
  Commentaries 
  The Approach 
  Introduction to Fingerboard Mechanics 
  Fingerboard Mechanics 
  Playing Up and Down a Single String (The Science of the Unitar) 
  Playingon Two Adjacent Strings: Movable Mini-positions 
  Study of Intervals: Melodic and Harmonic (Poor Man's Guide to Counterpoint) 
  The Open Position 
  Position Playing 
  Combination Playing: The Realm of the Electric Ice-skating Rink 
  What Next? 
  Next "What Next?" 
  Intervals 
    Triads 
    7th Chords 
  Intervals,Triads,7th Chords, Others 
    Major Scale 
    Melodic Minor Scale 
    Harmonic Minor Scale 
  Diatonic Four-part Chords 
    Part I 
    Part II 
    Part III 
    Part IV 
  Triads Over Bass Notes 
    I 
    II 
  Pentatonic Scales 
  Note Math / Finger Math 
  Fragments (Mosaics) 
  Voicings From The Symmetrical Diminished Scale 
  Symmetrical Diminished Scale 
  The Guitar's Complexity 
  The Evolution 
  Contemporay Harmony 
  About Tuning and Tuners 
  Feeling "Stale" ? 
  Silence is Golden 
  On Being Self-Critical 
  Words - Terms 
  No One Knows What's Next 
  Some Thoughts on Technique 
  Different Playing Situations 
  Playing vs. Improvising 
  Improvising SHort Pieces 
  Time Rhythm 
  Tempo Movement 
  Selected Short Subjects 
  In it, What's in it -- No Regrets 
  Conclusion (Read this again in one year)


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