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此部分共[8]页: 1>> 2>> 3>> 4>> 5>> 6>> 7>> 8>> 〖The Renaissance Guitar (文艺复兴时期的吉他音乐,Frederic Noad)〗 Introduction(简介) Although separated in time from us by almost four centuries, the late Renaissance provides a most fruitful and enjoyable source of music for the guitarist. The tunes were lively and straightforward; the forms uncomplicated; and, most important of all, some of the best composers of the period were writing for plucked strings. The later popularity of keyboard instruments relegated the guitar and lute to a relatively minor role in the history of music, but in the Renaissance the repertoire for plucked strings was the largest and most important body of instrumental music. The music in this collection is drawn from pieces for the vihuela, guitar, lute, bandore, and lyra-viol. To understand both the chronology and character of the repertoire, it is perhaps easiest to discuss it in connection with the instruments for which it was originally written. 此部分共[8]页: 1>> 2>> 3>> 4>> 5>> 6>> 7>> 8>> 〖The Renaissance Guitar (文艺复兴时期的吉他音乐,Frederic Noad)〗 |
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