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〖The Frederick Noad Guiar Anthology -- The Romantic Guitar (浪漫时期吉他音乐)〗
Introduction
  The title of this book, 'The Romantic Guitar', refers more to the flavour of the music than to the Romantic period with which it coincides only approximately. The starting point is really the end of the era of Sor and Giuliani, which also marked the end of one of the craze periods of the guitar. In the period that followed only a handful of composers and teachers kept allegiance to the guitar in the face of overwhelming competition by the pianoforte for the position of domestic musical instrument. Coste in France, Mertz in Germany and Austria, Areas in Spain and Madame Pratten in England all contributed to the survival of the guitar as a concert instrument through a difficult period until the figure of Francisco Tarrega arrived to cross all boundaries and launch a new wave of popularity.
  Napoleon Coste (1806-1883) came to Paris in 1830 and commenced studies with Fernando Sor. Paris in the thirties was also the home of the Spaniard Dionisio Aguado and the Italians Matteo Carcassi and Ferdinando Carulli, all of whom made major contributions to the 'Classical' era. In 1838 he appeared with Sor in what must have been one of the latter's final concerts before his death in 1839. In the following year Coste commenced his publishing career, which amounted to 53 works with opus number and included chamber music and songs as well as solo guitar works. He is perhaps best known for his '25 Etudes de Genre' (three of which are included in this volume), his expanded edition of Sor's Method, and his rediscovery of the music of the baroque guitarist Robert de Visee, whose works he transcribed from tablature and adapted to the six string guitar. This later aroused interest not only in de Visee, but also in the whole resource of baroque guitar music lying forgotten in an outdated form of notation.
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  In 1856 the Russian nobleman Nikolai Makaroff, a dedicated aficionado of the guitar, held a competition to encourage the production of new guitar works. At the judging in Brussels Coste was awarded the second prize, the first going to Johann Kaspar Mertz (1806-1856) who alas died before he could collect it.
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〖The Frederick Noad Guiar Anthology -- The Romantic Guitar (浪漫时期吉他音乐)〗


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