返回首页/索引页

此部分共[5]页:  1>>  2>>  3>>  4>>  5>>
〖The Guitarist's Guide to Composing and Improvising by Jon Damian(吉他即兴与创作指南)〗
  首页
  Table of Contents
  CD Tracks
  Foreword by Bill Frisell
  Acknowledgements
  Introduction
  Getting Around
  Notation Symbols
  About the CD
  Chapter One: The Basic Sound Dimensions
  Dynamics(动态变化)
  How Loud, How Soft, How Silent, How Close?
  The Wind Guitar
  Exploring Dynamic Range
  Fireworks!
  Fireworks! with a Bebop Motif
  A Sound Scratchboard
  Rhythm: When, Where ?
  The Guitar in DrumMode
  DrumMode Exercises
  A Victim of DrumMode
  The Metronome: Friend or Foe?
  The Metronome as Our Barre
  Pulse Study
  The Magical Clap Study
  Direction: Up, Down, The Same ?
  Direction as a Compositional Resource
  "Skee-Dap-M-Be-Bap"
  "For Juliette"
  Direction as an Improvisational Resource
  The Coronation
  Direction Study
  G Blues Direction Study
  Mime Study
  Articulation: Sharp Sound, Round Sound
  The Jazz and Blues Lyric School
  Alphabet Study
  Coda: Chapter 1
  Shamisen Sam
  Chapter Two: The Single-Note Line
  The Simplest Melodic Line
  Vamp No. 1
  Pitch Motive Studies: A Transition to the Palette Chart. 33
  C Major Scale through Diatonic Intervals
  Vamp No. 2
  "Eh-Tood-Ah in Thirds"
  Adding Some Spice
  Eh-Tood-Ah with Spice"
  Melody Is Harmony
  Catalysts
  More Pitch Motif Studies
  "D Minor Tune"
  The 3-Note Motif
  The Musical Rorschach Test
  The Palette Chart for Single-Note Development
  Palette Chart "Seeds" Orientation
  Palette Chart Seeds through a C Major Scale
  Vamp No. 3
此部分共[5]页:  1>>  2>>  3>>  4>>  5>>
〖The Guitarist's Guide to Composing and Improvising by Jon Damian(吉他即兴与创作指南)〗


Copyright:www.guitardyg.com@2009-2018