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How Were the Maps Developed? 　　While studying music theory in college. I was introduced to ideas pertaining to chords and chord flow. After leaving college, I was teaching piano to young students for a while. Searching for ways to make chord flow accessible to young minds, I began drawing diagrams that would allow a child to create strong progressions. It seemed best to put each chord at a visual location with arrows to direct the flow. I experimented with different variations before choosing what I now call the Simple Map. Years later, I added the secondary chords that make the Big Map look the way it does. A few adjustments were made to create the Generic Map. 　　I hope these pages, charts, and maps will help you understand chords and how they flow together. Enjoy writing music. Love and peace to all. 此部分共[2]页：  1>>  2>> 〖Music Theory for Songwriters by Joel Mugglin〗 　　Chord Progression Maps 　　　　The Big Map In C 　　　　The Big Map In Db 　　　　The Big Map In D 　　　　The Big Map In Eb 　　　　The Big Map In E 　　　　The Big Map In F 　　　　The Big Map In Gb 　　　　The Big Map In G 　　　　The Big Map In Ab 　　　　The Big Map In A 　　　　The Big Map In Bb 　　　　The Big Map In B 　　　　The Generic Map 　　　　The Generic Map for Major Scales 　　How Were the Maps Developed? 　　Part Six Major Scales - I 　　　　Concept - Half Steps and Whole Steps 　　　　Concept - Formula for the Major Scale 　　　　Challenge - Learning the Major Scale in 12 Keys 　　　　We’ll Start with C Major 　　　　A Moment for Perspective 　　　　Review of Part Six 　　Part Seven Major Scales - II 　　　　Concept - Sharps and Flats 　　　　The G Major Scale 　　　　Above and Below the Scale 　　　　Why Do We Use Numbers? 　　　　One Important Idea to Consider 　　　　Review of Part Seven 　　Part Eight Major Scales - III 　　　　Concept - Major Keys with Sharps 　　　　Are All These Keys Used Equally? 　　　　Major Keys with Flats 　　　　Review of Part Eight 　　Part Nine The Circle of Fifths 　　　　Learning the Circle 　　　　Something Else About the Circle 　　　　The “Photographic Opposites” 　　　　Review of Part Nine 　　Part Ten 　　　　Understanding Modes 　　　　Thinking This Through 　　　　Another Way of Thinking About It 　　　　The “Rules” 　　　　Experimenting with Modes 　　　　Review of Part Ten 　　Part Eleven Minor Keys - I 　　　　Minor Keys - Concept #1 　　　　Reviewing the Dorian and Phrygian Modes 　　　　What About the Aeolian Mode? 　　　　Minor Keys - Concept #2 　　　　Minor Keys - Concept #3 　　　　Say It Again 　　　　Minor Keys - Concept #4 　　　　You Can Also Find Melodic Minor This Way 　　　　Minor Keys - Approach #1 　　　　Review of Part Eleven 　　Part Twelve Minor Keys - II 　　　　Minor Keys - Concept #5 　　　　Minor Keys - Approach #2 　　　　Minor Keys - Concept #6 　　　　Minor Keys - Concept #7 　　　　Minor Keys - Concept #8 　　　　“Switching Over” - How Does It Work? 　　　　What Does This Mean? 　　　　Even More Possibilities 　　　　Review of Part Twelve 　　Common Chords in the Key of C Minor 此部分共[2]页：  1>>  2>> 〖Music Theory for Songwriters by Joel Mugglin〗

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