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緩何蛍慌[4]匈�� 1>> 2>> 3>> 4>> ーPrinciples of Counterpoint by Alan Belkin― 撃中 Table of Contents Preface Introduction The pedagogy of counterpoint Stylistic Assumptions 1. Line Voice leading Contour Compound line Accent Melodic Structure and Ornamentation Motives and coherence Neutral lines 2. Harmony Richness Harmonic Definition Modulation 3. Relationships between lines Introduction Classifications of contrapuntal texture Invertible counterpoint: a special case Counterpoint and orchestration 4. Instrumental Counterpoint Simple Intro Range Crossing Specific Instrumental idioms and motives 5. Contrapuntal forms Introduction Fugue Canon passacaglia and chaconne 6. Real world applications of counterpoint Introduction Counterpoint in non-polyphonic forms Transition Avoiding squareness Development Variation 7. Counterpoint and emotional richness 8. Acknowledgements 緩何蛍慌[4]匈�� 1>> 2>> 3>> 4>> ーPrinciples of Counterpoint by Alan Belkin― |
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