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ーPrinciples of Counterpoint by Alan Belkin―
  撃中
  Table of Contents
  Preface
    Introduction
    The pedagogy of counterpoint
    Stylistic Assumptions
  1. Line
    Voice leading
    Contour
    Compound line
    Accent
    Melodic Structure and Ornamentation
    Motives and coherence
    Neutral lines
  2. Harmony
    Richness
    Harmonic Definition
    Modulation
  3. Relationships between lines
    Introduction
    Classifications of contrapuntal texture Invertible counterpoint: a special case Counterpoint and orchestration
  4. Instrumental Counterpoint
    Simple Intro
    Range
    Crossing
    Specific Instrumental idioms and motives
  5. Contrapuntal forms
    Introduction
    Fugue
    Canon
    passacaglia and chaconne
  6. Real world applications of counterpoint
  Introduction
  Counterpoint in non-polyphonic forms
    Transition
    Avoiding squareness
    Development
    Variation
  7. Counterpoint and emotional richness
  8. Acknowledgements
緩何蛍慌[4]匈  1>>  2>>  3>>  4>>
ーPrinciples of Counterpoint by Alan Belkin―


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