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| 卦指遍匈/沫哈匈 |
Welcome to Music Theory For Dummies! What do you think of when you hear the phrase music theory? Does the image of your elementary school music teacher scowling at you from behind the piano pop into your head? Or perhaps a later image of fellow college students in theory classes determinedly trying to notate theremin whistles? If either of these ideas is anything close your own perception of what music theory is,then hopefully, this book will be a pleasant surprise. 緩何蛍慌[6]匈�� 1>> 2>> 3>> 4>> 5>> 6>> ーMusic Theory For Dummies by Michael Pilhofer and Holly Day(咄赤尖胎秘壇)― 撃中初府 About the Authors Dedication Authors¨ Acknowledgments Contents at a Glance Table of Contents Introduction About This Book Whom This Book Is For How This Book Is Organized Icons Used in This Book Where to Go from Here Part I: Rhythm: Keeping the Beat Chapter 1: What Is Music Theory Anyway? How Will Theory Help My Music? The Old Lady and the Yardstick The Birth of Music and Theory The Greeks: First Theorists The Keyboard and Music Notation Chapter 2: Counting Out Notes Meet the Beat Notes and Note Values Whole Notes Half Notes Quarter Notes Eighth Notes and Beyond Dotted and Tied Notes Mixing It All Up Chapter 3: Giving It a Rest Whole Rests Half Rests Quarter Rests Eighth Rests and Beyond Dotted Rests Mixing It All Up Chapter 4: Time Signatures Meet the Staff Simple Time Signatures Compound Time Signatures Asymmetrical Time Signatures Chapter 5: Naturalizing the Rhythm Stress Patterns and Syncopation Pick-Up Notes Irregular Rhythms: Triplets and Duplets Chapter 6: Tempo and Dynamics Taking the Tempo of Music Dynamics: Loud and Soft Part II: Melody: The Part You Hum Chapter 7: The Musical Staff The Clefs Intervals, Half Steps, Whole Steps, and Accidentals Finding the Notes on the Piano and Guitar Tips on Remembering Notes Chapter 8: Instrument Tone and Color Tone Color Building the Band: a Little Bit About Acoustics Harmonics Chapter 9: Half Steps, Whole Steps, Sharps, and Flats Half Steps Whole Steps Part III: Harmony: Fleshing It Out Chapter 10: Intervals Harmonic and Melodic Intervals Unisons, Octaves, Fourths, and Fifths Building Intervals Seconds, Thirds, Sixths, and Sevenths Major and Perfect Intervals in the Major Scale Chapter 11: Key Signatures and the Circle of Fifths Pythagoras¨s Circle The Circle of Fifths Recognizing Major Key Signatures Recognizing Minor Key Signatures and Relative Minors The Key Signatures Chapter 12: The Major and Minor Scales Major Scale Patterns Major Scales on Piano and Guitar Listening to the Major Scales Minor Scale Patterns Listening to the Minor Scales Chapter 13: Building Chords Triads Seventh Chords Looking at All the Triads and Sevenths Voicing and Inversion Chapter 14: Chord Progressions Diatonic Triads Sevenths Lead Sheets, Fake Books, and Tabs Putting It All Together: Chord Progression A Quick Word on Modulation Chapter 15: Cadence Authentic Cadences Plagal Cadences Deceptive Cadences Half-Cadence 緩何蛍慌[6]匈�� 1>> 2>> 3>> 4>> 5>> 6>> ーMusic Theory For Dummies by Michael Pilhofer and Holly Day(咄赤尖胎秘壇)― |
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