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¡¼Harmony and Theory¡½
¡¡¡¡The chart on the facing page tells a complete story: but it's a story written in a special language: the language of music, it contains information that allows any two musicians anywhere on this planet, speaking entirely different languages with their tongues, to play the same piece of music on their instrument, To musicians who know the language, charts like this are the beginning point of musical conversation; to those who don't, they are just a lot of meaningless numbers and symbols. If this chart looks more confusing than enlightening, this book is for you.
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¡¼Harmony and Theory¡½
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¡¡¡¡Contents(Ŀ¼)¡¡
¡¡¡¡Introduction(¼ò½é)¡¡
¡¡¡¡Part I: Tools¡ªNotes,Rhythms, and Scales¡¡
¡¡¡¡¡¡¡¡Chapter 1: Pitch¡¡
¡¡¡¡¡¡¡¡Chapter 2: Major Scales and Sharp Keys¡¡
¡¡¡¡¡¡¡¡Chapter 3: Flat Keys and Accidentals¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Enharmonics and Accidentals¡¡
¡¡¡¡¡¡¡¡Chapter 4: Intervals¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Interval Quantity¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Interval Quality¡¡
¡¡¡¡¡¡¡¡¡¡¡¡How To Name Interval Quality¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Building Intervals¡¡
¡¡¡¡¡¡¡¡Chapter 5: Triads¡¡
¡¡¡¡¡¡¡¡Chapter 6: Note Values¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Beats and Meter¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Divisions of the Beat¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Triplets¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Dotted Notes¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Spacing and Clarity¡¡
¡¡¡¡¡¡¡¡Chapter 7: Time Signatures and Ties¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Time Signatures¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Ties¡¡
¡¡¡¡¡¡¡¡Chapter 8: Minor Scales¡¡
¡¡¡¡¡¡¡¡¡¡¡¡The Natural Minor Scale¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Relative Minor Keys¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Parallel Minor Keys¡¡
¡¡¡¡¡¡¡¡Chapter 9: Pentatonic Scales¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Major Pentatonic Scales¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Minor Pentatonic Scales¡¡
¡¡¡¡Part II: Structures¡ªChords and Chord Progressions¡¡
¡¡¡¡¡¡¡¡Chapter 10: Harmonizing the Major Scale¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Numbering Chords¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Transposition¡¡
¡¡¡¡¡¡¡¡Chapter 11: Harmonizing the Minor Scale¡¡
¡¡¡¡¡¡¡¡Chapter 12: Diatonic Seventh Chords¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Building Diatonic Seventh Chords¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Harmonizing the Major Scale in Sevenths¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Harmonizing the Natural Minor Scale in Sevenths¡¡
¡¡¡¡¡¡¡¡Chapter 13: Key Centers¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Finding Major Key Centers¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Identifying Minor Key Centers¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Finding Key Centers in Triad Progressions¡¡
¡¡¡¡¡¡¡¡Chapter 14: Blues¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Blues Harmony¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Blues Melody¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Blues Rhythm¡¡
¡¡¡¡¡¡¡¡Chapter 15: Chord Inversion¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Chord Voicings¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Chord Inversion¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Inverted Chord Symbols: Slash Chords¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Identifying Chord Inversions on the Staff¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Voice Leading¡¡
¡¡¡¡¡¡¡¡Chapter 16: Extended Chords¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Compound Intervals¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Extersions¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Building Extended Chords¡¡
¡¡¡¡¡¡¡¡Chapter 17: Other Chord Types¡¡
¡¡¡¡¡¡¡¡¡¡¡¡Variations on Triads¡¡
¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡Slash Chords¡¡
¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡Poly Chords¡¡
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¡¼Harmony and Theory¡½


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